Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Henry Clarence Whaite,RWS
Castle Rock,Cumberland (mk46)

ID: 26019

Henry Clarence Whaite,RWS Castle Rock,Cumberland (mk46)
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Henry Clarence Whaite,RWS Castle Rock,Cumberland (mk46)


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Henry Clarence Whaite,RWS

1828-1912  Related Paintings of Henry Clarence Whaite,RWS :. | Mme.Manet at the Piano | La Theorie et Pratique du jardinage | wife of William Courtenay | A Mountainous River Landscape, | Still life floral, all kinds of reality flowers oil painting 393 |
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Hendrick van balen
Dutch Baroque Era Painter, ca.1575-1632 was a Flemish painter, who was born and died in Antwerp. Van Balen studied art while traveling in Italy. He was the teacher of Anthony Van Dyck and Frans Snyders and was also a contemporary of many of the other famous Flemish artists
Karel Myslbek
Karel Myslbek (1874-1915)Aliases: Frant. VovesProfessions: Figure painter; Painter.
George Scharf
1820-1895 British art critic, was born in London, the son of George Scharf, a Bavarian miniature painter who settled in England in 1816 and died in 1860. He studied in the schools of the Royal Academy. In 1840 he accompanied Sir Charles Fellows to Asia Minor, and in 1843 acted as draughtsman to a government expedition to the same country. After his return he devoted himself with great industry and success to the illustration of books relating to art and antiquity, of which the best known are Macaulay's Lays of Ancient Rome (1847); Milman's Horace, (1849); Kugler's Handbook of Italian Painting (1851); and Dr Smith's classical dictionaries. He also engaged largely in lecturing and teaching, and took part in the formation of the Greek, Roman and Pompeian courts at the Crystal Palace. He acted as art secretary to the great Manchester Art Treasures Exhibition of 1857, and in that year was appointed secretary and director to the newly founded National Portrait Gallery. The remainder of his life was given to the care of that institution. Scharf acquired an unrivalled knowledge of all matters relating to historic portraiture, and was the author of many learned essays on the subject. In 1885






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